Thursday, January 6, 2011

Grey's Anatomy Casting Scoop: A Buffy Alum Is Coming


Wed., Jan. 5, 2011

You gotta love Shonda Rhimes' devotion to the Buffyverse! Shonda's love of Joss Whedon is famously one of the reasons she started writing for television in the first place, and she's long hired Buffy stars like Seth Green, Amber Benson and Nicholas Brendon to guest  on her shows Grey's Anatomy and Private Practice.

So which Buffy boy is heading to Seattle Grace now? Here's the exclusive scoop:

Adam Busch, who us Buffy fans will remember as Warren, one of the dastardly Geek Trio who contributed to the death of Amber Benson's Tara is set to guest in the Jan. 13 episode "Start Me Up." (Busch and Benson later dated in real life, BTW, and Benson guested on the Nov. 4, 2010 episode of Grey's Anatomy.)

Busch is playing a first-year resident who must shadow Dr. Cristina Yang (Sandra Oh). At the moment, the role is planned for one episode.

You know what this means, don't you? That fishing-trip psychological breakthrough stuck, and our girl Dr. Yang is finally getting her medical mojo back. Woo to the hoo!

E Online

Anthony Head on Merlin and the Buffy Remake


Posted: January 5, 2011

He's best known here in the states as Giles, the librarian and watcher of vampire hunter Buffy, but Anthony Head has had a long and illustrious career. He is currently playing King Uther Pendragon, father of the future King Arthur in the BBC show, Merlin. Though the show is about to enter it's fourth season on the other side of the pond, Season 3 will premiere in the states on the SyFy Channel on January 7th.

Fans of the show know that Uther has, well, issues. His ward Morgana (Katie McGrath) has disappeared and is about to exact some revenge for Uther's decree to outlaw magic. His son Arthur (Bradley James) is in love with a serving girl named Gwen (Angel Coulby) and his son's servant Merlin (Colin Morgan) is hiding his powers with the help of his only confidant Gaius (Richard Wilson). What's a poor king to do?

I got a chance to chat with Head about the show and what's next for the troubled monarch. He gave us some hints about what we're going to see in Season 3, and working with the cast. He also graciously answered my questions about the proposed (and much railed against) remake of Buffy the Vampire Slayer, the lost spinoff Ripper and the famous romantic coffee commercials people still ask him about. (Check them out here.)

I have to start off by asking about Uther. He's got some serious issues.

[laughs] You think?

I think he may! So what are we going to see happen to him in Season3?

Season 3, it all comes down on him really. All his issues...stuff that comes out about his past...[laughs] He probably didn't know it would have the effect that it has. There are some big old family issues. We start off Season 3 with this mega, two part story that establishes Morgana for what she is and who she is. Uther pretty much becomes a shell of his former self and is haunted by stuff that he's done in the past. It's great because we start off the season with a whoo! Where do you go from there? [laughs] And they do go from there. They take it on. There are some really cool story lines. With some stuff that was really cool to play. You don't expect...you always hope but you don't expect in a family drama, that you're going to get some really good stuff. Stuff that evolves, stuff that hangs on character, that hangs on good story lines to play. Stuff that at this point, three seasons down, you kind of think they might have to resort to the Lost syndrome of just confusing people. Instead of which, this has got really strong through lines and stuff that was...the thing that I always loved about Joss' (Whedon) scripts is that everything had a repercussion. Everything had a consequence. And so it is in Merlin. It's not Joss writing, but it has that fullness. That richness. You know if someone does something bad, and there is stuff that Uther has done in his past that is bad, you know it's going to come out somewhere. And it really really does.

I talked to Katie McGrath the other day and she said she feels really bad about being a bitch to you in your scenes.

[laughs] Well, I don't hold it against her! No, it's great. We had some cracking stuff to do. A lot of Uther stuff in Season 3 kind of revolves in one way or another around Morgana. It was great fun. Really good fun. She's adorable and as I say, we had some lovely stuff to play off each other. She says she's a bitch, but I can't say that Uther is exactly Mr. Sweetie Pie.

[laughs] I think it's really interesting, the blind spot Uther has with her. What do you attribute that to?

All I can say is, I think there is more going on than at first meets the eye.

Doing a research for a role like this...is there any sort of research you've done that you've just loved?

As far as Uther was concerned, there is so very little about him. I didn't want to research the Arthurian legend as written, because we've strayed away from it. I mean, I know all the stories and the myths, but what I did largely was to watch other people playing kings. It's fascinating watching people playing kings because some people do it so much better than others. It was watching Peter O'Toole in Becket. He was wonderful playing in Becket, this troubled king, trying to come to terms with what he had to do, what he was supposed to do and what he wanted to do. It translates. The thing that makes it interesting, watching someone play a king is not the power. It's not how they use the power. It's how they manage what's going on inside. The man and what other people perceive as a king. That's why it's fun to play a king. I mean, I see our Queen as fascinating, because you wonder what's going on in her head. [laughs] With all the stuff she has to do and the people that she has to meet. And you think, what does she really think of them. Mind you, Prince Phillip usually says it. He's gotten into terrible trouble for what he's said. But all that, it is very interesting, what's going on with the person inside and what other people see.

I wanted to ask you about the relationship with Gaius. In a way he's really Uther's only friend.

I don't know if he's a friend, really. He's a confidant. Gaius I find fascinating, and I wonder if it's anything that they will really truly explore...Gaius isn't really whiter than white either. I mean, he obviously stitched up...the Great Purge was actually a lot like the McCarthy witch trials. And I think Gaius stitched up a few friends in order to stay alive and stay in Uther's favor, which makes him equally interesting. He's got a conscience in there. And it's not something we ever really see an awful lot of. I'd like to see more of that. [laughs] It does mean that our stuff together is...there's a lot going on between us. There is a lot more than what is said. There is a lot of unwritten past between us.

I have to ask you about some coffee commercials that you did a while back that I just watched again on YouTube last night.

[laughs] You have to?

Yeah, I really really do. [laughs] Do you still get people talking about that?

Yeah! Strangely, usually only journalists. But when I meet somebody who said, 'Oh, where have I seen you? What have you done?' I'll go through the list of Buffy, and Little Britian and Merlin, then right at the end I'll go, '...or the coffee commercial, ' and they'll go, 'Oh, that's it!' Or recently, I had this guy...I went through the whole list at which point you're thinking, do I really need to go through my resume? [laughs] I said, '...or it's the coffee commercial.' And he said, 'Little Britain [laughs] Okay. No, I'm as fascinated by what was an incredibly iconic campaign. And it's not only created opportunities for me in Britain, but basically it was the reason I went to America, because I could. If I hadn't gone to the states...I'd always wanted to. It created opportunities for me and gave me the reason to scootch out of England for a little while, to create a different persona. I didn't want to be just the coffee commercial guy. It created Buffy and all the rest of it.

Well...speaking of Buffy, I have to get your opinion on the remake that's going around the news.

It's not a great idea.

Oh, thank you for saying that!

It's a horrible idea. It's a horrible idea in as much as Buffy was a great conceit. It was a great story. A great idea. I don't think you can...whether you feel as though you helped it on its way, I don't feel that you can then remake that without the original creator on board. It doesn't make sense. And I mean, somewhere down the line, I suppose sometimes...I suppose you could, but it never sits very comfortably. With someone like Joss, why would you want to? Well, I know why you want to. You want to make money. As he said recently, 'I hope it's good!' [laughs] I love him.

I've been hearing rumors about that Giles spinoff, Ripper again too. Any chance that's happening?

Not unless he comes back as a ghost. In Season 8, the comic book, Giles just died. [laughs] So I think it's R.I.P. Ripper.

Back to Merlin...one of the things I love about the show is how you can go from a deep, dark episode to a really funny one. Last season, you hooked up with a troll. What sort of fun stuff will we see in Season 3?

Baldness. There's a great episode where Gaius becomes inhabited by something that makes him do very silly things, one of which is to make me go bald. But there is also a lovely episode with an actress called Georgia King, where she...well, she almost marries Arthur. But it's a great way of keeping light and shade and keeping it...when it gets a little sort of dark and heavy for the kids, they reward them next week with something light and frothy. [laughs] And the adults don't mind a bit or ribald humor. A couple of fart gags here and there always go down well. [laughs] Needless to say, it bridges that gap. One of the great things about Merlin is that it does appeal to this multi-generational audience. It's a truly family show. Now everybody who comes up to me says they love watching this show, and I especially love that I can sit down with my kids and watch it, and I see stuff that the kids don't. It's just the best. And that's the success of the show.

It was something that Buffy had. And yet the WB never, never ever explored it. They only ever played it to literally a generational band. Their demographic. And they could have expanded it, but because they were tied up with what their demographic was, they blew it on a big level. In fact, that's why Buffy universally...I had people come up to me in their forties and be embarrassed that they watch Buffy. And it's like, no! You don't have to be embarrassed! [laughs] It's for you too! And Merlin goes younger. It goes down to five and six. Kids love it. I think it's the fact that, even if it does get a bit scary and a bit dark, they will be rewarded with a lighter episode.

So what do you think...musical episode of Merlin?

Never say never. I can't quite see how or why there would be, but you never know. Who knows? All musicals aren't always necessarily good. It's another thing that Joss was ground breaking on, really when you think about it. Nobody had really make musicals work on TV like that before. Now we've got Glee and all that stuff and who knows whether it was down to Joss, but it was the first TV show to actually...they'd tried it so many times and it always felt clumsy and sticky. But he really pulled it off.

Merlin Season 3 premieres on January 7th at 10/9c on SyFy.

Follow Jenna Busch on Twitter: www.twitter.com/jennabusch





Huffington Post

Rupert Giles Thinks The Buffy Movie Remake Is ‘A Horrible Idea’


Thursday, January 6th, 2011 at 2:00pm

Since Warner Bros. announced in November that it plans to remake the 1992 Buffy the Vampire Slayer movie, without the involvement of Joss Whedon, we’ve heard from countless fans, Whedon himself, TV series stars David Boreanaz, Eliza Dushku and Nicholas Brendan, and even the original Buffy Kristy Swanson. (She’s all for it.) But now the Watcher has weighed in and, needless to say, he disapproves.

“It’s not a great idea,” actor Anthony Head, who played Buffy’s mentor Rupert Giles for seven seasons, tells The Huffington Post. Wait, it’s more than simply not great.

“It’s a horrible idea,” continues Head, who’s making the rounds to promote the third season of Merlin. It’s a horrible idea in as much as Buffy was a great conceit. It was a great story. A great idea. I don’t think you can … whether you feel as though you helped it on its way, I don’t feel that you can then remake that without the original creator on board. It doesn’t make sense. And I mean, somewhere down the line, I suppose sometimes … I suppose you could, but it never sits very comfortably. With someone like Joss, why would you want to? Well, I know why you want to. You want to make money. As he said recently, ‘I hope it’s good!’ [laughs] I love him.”

Head was also asked about the long-discussed Giles spinoff Ripper, which was discussed as early as 2001 as a BBC special or miniseries. Odds are the show is as dead as the character, who was killed off by Whedon last month in the 39th issue of Buffy the Vampire Slayer Season 8.

“Not unless he comes back as a ghost,” Head says. “In Season 8, the comic book, Giles just died. [laughs] So I think it’s R.I.P. Ripper.”

Head returns as the tyrannical King Uther Pendragon in the third season of Merlin, which premieres Friday at 10 p.m. ET/PT on Syfy.

Comic Book Resources

Wednesday, January 5, 2011

Buffy the Vampire Slayer: Season 8 Motion Comic Blu-ray Review


The Series

Buffy the Vampire Slayer: Season 8 Motion Comic Blu ray ReviewBuffy the Vampire Slayer: Season 8 Motion Comic Blu ray ReviewBuffy the Vampire Slayer: Season 8 Motion Comic Blu ray ReviewBuffy the Vampire Slayer: Season 8 Motion Comic Blu ray ReviewBuffy the Vampire Slayer: Season 8 Motion Comic Blu ray Review

Buffy the Vampire Slayer: Season 8 Motion Comic Blu ray Review

I was a latecomer to the Buffyverse. I didn’t like the original Buffy the Vampire Slayer movie when I first saw it and I still don’t care for it much at all to this day. So, when they turned the film into a television series, I really paid it no mind. It perplexed me why anyone would want to watch a television series based on that cheesy, campy film. Fast-forward a few years and I caught an episode here and there of Buffy the television series sometime late in its fourth season realizing that this Buffy was an entirely new experience. I was instantly hooked and made my way through all the previous seasons in reruns until I was caught up. But, alas, there were only to be a few seasons left before the networks pulled the plug on creator Joss Whedon’s crowning achievement.

Whedon has a rabid fan base, but his batting average has been terrible when it comes to television series. Buffy’s spinoff Angel, which starred Bones’ David Boreanaz and was arguably the most successful of Whedon’s post-Buffy productions, only lasted five seasons. Firefly, Whedon’s sci-fi western, garnered much praise amongst fans and critics alike, but due to terrible handling from its network (FOX) the series never made it past season one, although it did manage to squeeze out a feature film, Serenity. His last effort, Dollhouse, starred Eliza Dushku, one of the Buffy alumni, but, alas, a good concept that never quite came to its fruition had Dollhouse going off the air after two rocky seasons.

Regardless of what came after, fans have always been faithful to Buffy the Vampire Slayer above all. Even I have always felt just a tinge of sadness every time I think back to the very last episodes of the series. Well, Whedon was not content to let the series end where it did, so with the aid of Dark Horse comics, a series of graphic novels were published which encompassed Buffy the Vampire Slayer Season 8. The Season 8 comics picked up the story of Buffy right from where the final season to air left off – with the battle to close the hell mouth and save the world coming to its climax and Buffy endowing thousands of young women around the world with the power of the slayer to help her in the battle against the ultimate evil. The entire “scooby gang” is back, from Willow and Xander to Giles and even Faith. This time out, they are facing a threat not from demons, but the US government who wants the slayer dead because they think she and her thousands of followers have become too powerful and must be stopped.

The Season 8 Motion Comic is just that, a motion-interpreted version of those Season 8 comics. It helps to continue and move the story of Buffy forward, taking the comics into a more tangible realm. Fans of the original series will instantly recognize the character’s idiosyncrasies and the comedic bent to Whedon’s dialogue, but the the absence of the original actors doing the voiceovers will be off-putting at first, especially when the character designs are made to look so much like the show’s original cast.

Video Quality

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Buffy the Vampire Slayer: Season 8 Motion Comic Blu ray Review

The Buffy Season 8 Motion Comic’s 1080i/60 AVC/MPEG-4 is very watchable, with good color reproduction, fills free from noise and sharp line art, but there is a lot of color banding and some shimmering can definitely be seen around the edges of the animation on occasion.

Audio Quality

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Buffy the Vampire Slayer: Season 8 Motion Comic Blu ray Review

The lossless DTS-HD Master Audio 5.1 sound is good, with clean dialogue, smooth high frequencies, and a relatively engulfing mix that encapsulates listeners in a circle of atmospherics mixed with some discrete panning and slight front to back panning of sounds.

Supplemental Materials

Buffy the Vampire Slayer: Season 8 Motion Comic Blu ray ReviewBuffy the Vampire Slayer: Season 8 Motion Comic Blu ray ReviewBuffy the Vampire Slayer: Season 8 Motion Comic Blu ray ReviewBuffy the Vampire Slayer: Season 8 Motion Comic Blu ray ReviewBuffy the Vampire Slayer: Season 8 Motion Comic Blu ray Review

Buffy the Vampire Slayer: Season 8 Motion Comic Blu ray Review

There are a few fun supplements included in the Buffy Season 8 package. Long-time fans will probably get a kick out of the play-along pop-up trivia game and the inclusion of the, The Long Way Home, Part 1 comic book in the package, albeit in miniature form.

The supplements provided with this release are:

    * Under Buffy’s Spell (1.78:1; 1080i/60; 0:05.17) – Buffy at the 2010 International Comic-Con.
    * Buffy Season 8 Motion Comic Test Pilot (1.78:1; 1080i/60; 0:05.34) – A roughly animated pilot for the motion comic.
    * The Buffy Trivia Experience – Answer trivia questions that pop-up onscreen as you watch the motion comic. Complete all 19 issue and earn your total score to see if you’ve earned the ranking of Slayer. Higher level rankings earn a special bonus gift.
    * Season 8 Comic Book Covers Gallery (1080p)
    * Live Extras:
          o Exclusive: Covering Jo Chen (1.78:1; 720p/24) – The Buffy Season 8 cover artist is briefly interviewed.
    * DVD – Standard definition DVD
          o DVD exclusive bonus: Tooncast Studio DVD-ROM allows you to create your own Buffy comic.
    * The Long Way Home, Part 1 Comic Book.

The Definitive Word

Overall:

Buffy the Vampire Slayer: Season 8 Motion Comic Blu ray ReviewBuffy the Vampire Slayer: Season 8 Motion Comic Blu ray ReviewBuffy the Vampire Slayer: Season 8 Motion Comic Blu ray ReviewBuffy the Vampire Slayer: Season 8 Motion Comic Blu ray ReviewBuffy the Vampire Slayer: Season 8 Motion Comic Blu ray Review

Buffy the Vampire Slayer: Season 8 Motion Comic Blu ray Review

Buffy the Vampire Slayer: Season 8 Motion Comic effectively increases the intensity of the Buffyverse, just as every successive season of the original live action television series did and it adds another interesting stop that fans should appreciate.

Blu Ray Definition

Monday, January 3, 2011

Producer Charles Roven Talks About "Buffy" Reboot

January 3, 2011

The “Buffy The Vampire Slayer” phenomenon started off back in 1992 as a movie starring Kristy Swanson and Luke Perry.  While the film didn’t win a big, ahem, stake of the box office when it was initially released, it found a huge cult audience when it started playing on cable.  Joss Whedon, who wrote the film, decided to capitalize on the character’s popularity by developing the concept for TV.  The resulting series, starring Sarah Michelle Gellar and taking a darker tone than the movie, became a huge hit and ran from 1997 to 2003.

Apparently the time is ripe for a “Buffy” revival, because producer Charles Roven — who’s produced movies like “Batman Begins,” “The Dark Knight,” and the new Nicholas Cage film “Season Of The Witch” — told us he’s in the initial stages of getting a new “Buffy” movie off the ground.

When news of a “Buffy” reboot was announced, there was quite an uproar when it was revealed that it would be done without Whedon’s involvement.  Roven told us he was surprised by the reaction, but was happy to see the passionate enthusiasm from the “Buffy” fans.

Fox All Access

Saturday, January 1, 2011

Best of Sunday: Blood Diamond


January 02, 2011

Julie Venn-Hall is a self-confessed "Twi-mum", who is obssessed with Twilight vampire Edward Cullen, played by actor Robert Pattinson.

WHAT fuels a middle-aged mum's passion for a pasty-faced teen with fangs? Behind the "Twi-mum" phenomenon.

THE other night over a plate of Gouger St's finest e-shand chicken, a friend said the most terrifying thing: "About six months ago, I seriously considered divorcing my husband because he's not Edward Cullen."

Excuse me? Isn't Edward Cullen a fictitious, teenage vampire from that kids' book Twilight?

She didn't stop there:

"It took me a month to read the entire Twilight series and for that whole time I actually wanted to divorce him ... In a heated argument one night over him leaving his towels on the bathroom floor I screamed: 'Edward Cullen would never do that!'.

"He yelled back: 'Are you insane? Edward Cullen is not real!' And I replied: 'Oh yes he is!' and stormed out the room."

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She has since palmed off the books to her sister, never wants them returned and is back to wedded bliss, but I began wondering how many other perfectly sane, well-adjusted, intelligent women were utterly obsessed with vampires - those blood-sucking, garlic-fearing, light-affected, fanged creatures. To my surprise, Twilight-fuelled

fans popped out from everywhere.

Another friend didn't want to discuss her passion for Stephenie Meyer's literary phenomenon:

"I have much to share as to why I love, love, love Twilight, but for me to reveal my thoughts to you would simply open up a wound that would take forever to close up again".

Sorry? This is fiction ... how can there possibly be a wound too sore to open?

Another friend admitted to having two profiles on Facebook - one where she is herself, and another where she is a vampire, has a "vampire" name and only befriends other "vampires".

They are everywhere: millions of Twi-hards, Twi-mums and Twi-lighters. Women - mostly - fuelling an intense resurgence in the vampire legend. Our pop culture can't get enough.

UniSA lecturer and Buffy the Vampire Slayer expert Jennifer Stokes says vampires have been a source of enthralment for more than a century because they represent an eternal choice.

"It's about our fascination with mortality - if you could live forever and have immortality, but it meant you had to live by taking the lives of others, would you make that choice?" she says.

Vampires first entered our vernacular with the release of Bram Stoker's 1897 novel Dracula, partly inspired by the drizzly life of Romanian prince Vlad the Impaler, who had a fancy for impaling his enemies, in the mid 1400s.

Vlad was not the only sadistic force to come from history. Countess Elizabeth Bathory, who lived from 1560 until 1614 and whose family ruled what is now Slovakia, is also an oft-referred-to vampire-inspirer. History remembers Elizabeth as the "Blood Countess," and attributes her to killing more than 600 virgins so she could bathe in their blood to retain her youth.

Ever since the original Count Dracula, we have morphed the blood-suckers into myriad characters - good and bad - from Buffy the Vampire Slayer's Angel to Twilight's sullen Edward Cullen to Queen of the Damned's evil Akasha.

Even comicbook superheroes like Batman and the Phantom have vampire-esque undertones.

Whatever their guise, we're interested, because we haven't found the secret to immortality.

"Until we can definitively understand what occurs when we die, then this fascination exists and people will write these stories," Ms Stokes says.

What keeps vampires popular through the ages is that there isn't a sterotypical fan.

"There are people who are interested in (vampire legends) for that romantic story, then you have people who might perhaps be more interested in the gothic culture around the looks and imagery and the melancholy," Ms Stokes says.

"I think a lot of different people can identify with vampires for lots of different reasons."

Whoever the person, the vampire realm is where "people can experiment with good and evil and personal morals," Ms Stokes explains.

DR Jackie Cook, a senior communications lecturer at UniSA says vampires have always struck a chord - particularly with youth and so it is no surprise to see a teenage-led vampire trend in the form of hysteria around Twilight, The Vampire Diaries and True Blood.

"The horror writer Stephen King, using established anthropological theory, says there are only three kinds of monsters: monsters from outside, monsters from inside and there are unseen monsters you can't control," Dr Cook says.

"A monster from inside is a werewolf ... which appeals to adolescents because they're undergoing morphological and social changes; the body is shifting, hair is growing in strange places, they are wracked by hormonal change ... it's the perfect image for the teenager.

"The vampire is interesting, because it's a transgressive monster: it is an external monster because of the blood sucking, but a very intimate, very internal monster and, of course, it is highly sexualised, highly eroticised as well."

So, Dr Cook says, the legend's sexual undertones appealed when sex was vetoed and since then has been re-worked to suit popular culture.

Today, mainstream media and commerce have found an intensely workable phenomenon.

"Commerce doesn't want to take too many risks," she says. "So if it can see a successful vein being mined, it will mine it and mine it and mine it until it finds something else and then it will move on."

Therefore, we have cross-marketing: books sold with "Blood" (bottled blood orange juice), movie tickets sold with miniature vamp dolls, T-shirts bought with vampire emblazoned paraphernalia.

It's hard to escape.

Dr Cook says the current vampire trend might also be because writers and producers want to bridge the gap for the Harry Potter generation - those former Potter fanatics growing up and looking for fantasy with an edge.

But what is fascinating about Twilight in particular, is that it isn't just appealing to teenagers, a phenomenon of Twi-mums, women in their 30s obsessed with the vampire trend, has emerged.

Dr Cook says this can be explained by our modern-day society's changing demographics.

"With all our demographics we are shifting up by 10 or 20 years ... so middle age that used to be firmly underway by 40, is now considered to be 60, and we've divided old age into deep age and shallow age," she says.

"And with our economic structure ... people are staying at home well into their 30s. Now that means for 15 to 20 years those young people have independent income but no outgoings and they are major consumers of popular culture.

"Therefore audiences are older. It's almost like teenagehood is extending."

MS Stokes says Meyer's retelling of the vampire myth, with the heroine Bella having to choose between Edward and her best friend, the shirtless Jacob, also a werewolf,

has resonated across the globe, with fans picking "Team Edward" or "Team Jacob" and believing Edward to be the "perfect man".

My obsessed friend - now in her 30s - explains it like this: "Remember that feeling when you were 15 or 16 and had a major crush on someone to the point where your heart would stop? And if he touched you casually you might accidentally combust? Every turn of the page recaptures and evokes these feelings again. Twilight creates such intoxicating pangs of first love that you haven't felt for so long - it is addictive."

But no matter why people are picking up the books or watching the movies, one thing is certain - the Twilight franchise along its contemporaries will eventually lose favour and vampires will drop out of mainstream popular culture.

But they will not disappear. Instead, Dracula along with Edward Cullen and heroines like Sookie Stackhouse, will disappear back underground, where they will rumble away ... waiting for another inevitable mainstream rebirth.

And our thirst for blood will reign again.


TOP FIVE VAMPIRE ICONS

1. Angel

The Edward Cullen before there was Edward Cullen - Angel is a character created by Joss Whedon and David Greenwalt for Buffy the Vampire Slayer. Played by actor David Boreanaz, Angel is cursed with a soul, a punishment for his past crimes committed as Angelus.

2. Queen Akasha

The mother of all vampires - according to author Anne Rice in her Vampire Chronicles series. Known as the Queen of the Damned, she begins as a pre-Egyptian queen who is secretly cursed with a blood-thirsty spirit by two witches.

A special mention to the "Brat Prince" Lestat de Lioncourt, also an Anne Rice character, most famously played by Tom Cruise in 1994's Interview with the Vampire.

3. Eric Northman

Created by Charlaine Harris in her series The Southern Vampire Mysteries, Eric is also portrayed in the television series True Blood. Before becoming a vampire, he was a viking and in the book series, he is the most powerful vampire in Area Five in Northern Louisiana, where he owns a vampire bar called Fangtasia (cute).

4. Blade

Blade is a half-vampire, half-mortal man who becomes a protector of the mortal race in the 1998 movie of the same name. He is born a vampire, because his mother was bitten by a vamp while pregnant. He has all the good vampire attributes in combination with the best human skills.

5. Count von Count ("The Count")

Count von Count, often known simply as The Count, is one of the Muppet characters on Sesame Street, whose main purpose is to educate children on simple mathematical concepts, most notably counting. He lives in an old, cobweb-infested castle that he shares with bats ... which he often counts.

Adelaide Now

Friday, December 31, 2010

Eliza Dushku Celebrates Her 30th Birthday By Raising $30,000 For Charity! Exclusive Interview!


December 30th, 2010

gifts, this Hollywood starlet opted to help others on her big day!

Eliza Dushku gets our vote for being one of Hollywood’s most charitable celebrities — if not the most — of 2010! The brunette stunner and star of Dollhouse, Tru Calling, and Buffy the Vampire Slayer, turned the big three-oh on Dec. 30, but in place of planning a champagne-and-sparklers bash, she teamed up with Tonic.com and raised $30,000 to build a recovery center for former child soldiers in Gulu, Uganda! HollywoodLife.com spoke to Eliza on the eve of her birthday to discuss her incredible choice.

“I used to love my birthday but I didn’t want all this attention on me moving out of my twenties, so I wanted to take the attention off me and put it on something extraordinary,” says Eliza. “There were a few ideas of clubs in Vegas and Miami but I wanted to do something more meaningful.”

Eliza says she was inspired to help this specific cause after a trip to Uganda with her boyfriend, former NBA player Rick Fox, and her mother, Judith, a professor of African Politics at Suffolk University, to visit children who had been soldiers in the war-torn country. Eliza tweeted up a storm to promote her birthday wish and has been reaching out to fellow celebrities to get involved. Director Kevin Smith, whom she worked with on the film Jay and Silent Bob, even auctioned off a movie poster for $1,000 to help Eliza reach her goal.

“I met about five child soldiers, four of them were young women and had children and they had been raped and impregnated by rebel soldiers, abducted in the night and forced to kill their own family members,” she recalls. “I couldn’t believe it — it’s 2010 and with all the freedom and safety I have I can’t imagine fearing for that.”

Eliza got her birthday wish — she’s exceeded her goal by raising $30,420! If you want to donate or learn more about her mission, click here!

Hollywood Life